Mr Moore
Well-Known Member
A modern jazzy crossover album from Jazz Re:freshed
Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record label Jazz re:freshed.
Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album 'These Days' is inspired by the duo's London surroundings, as charged observations are delivered via thought-provoking lyricism, neo-soul and modern jazz.
Casimir, a former Birmingham Conservatoire student, has provided his heavyweight upright sound for the likes of Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint.
Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his expansive arrangements and energised recital, while Hirst has made a name for herself with her smooth sleek vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of SOAS and her writing style walks us through her upbringing in West London and down the halls of academia with force.
Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy 'Security' addresses the need to trust one another and how we protect ourselves personally, while the slow-burning, rich atmospherics of 'Freedom' combined with Hirst's silky vocals, explore liberation and the rejection of duty - from a female perspective. "The track challenges more insidious forms of misogyny and questions what freedom means to me. Life is to love and not to endure - that is the essence", says Hirst.
At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in the unmistakably soulful 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.
Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record label Jazz re:freshed.
Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album 'These Days' is inspired by the duo's London surroundings, as charged observations are delivered via thought-provoking lyricism, neo-soul and modern jazz.
Casimir, a former Birmingham Conservatoire student, has provided his heavyweight upright sound for the likes of Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint.
Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his expansive arrangements and energised recital, while Hirst has made a name for herself with her smooth sleek vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of SOAS and her writing style walks us through her upbringing in West London and down the halls of academia with force.
Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy 'Security' addresses the need to trust one another and how we protect ourselves personally, while the slow-burning, rich atmospherics of 'Freedom' combined with Hirst's silky vocals, explore liberation and the rejection of duty - from a female perspective. "The track challenges more insidious forms of misogyny and questions what freedom means to me. Life is to love and not to endure - that is the essence", says Hirst.
At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in the unmistakably soulful 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.
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. Guess it’ll be Time Out for me this month then. Was saving up my tip money to get it but people have been stingy this month it would appear. I still have it shown as sitting in my Bandcamp cart though. Anyone know if adding an album to your cart on Bandcamp reserves a copy? Same thing happened to me earlier this year with Rozi plains What A Boost. It showed sold out but I still had it in my cart and I was able to check it out and sure enough one showed up at my door. Just a fluke?