This forum needs a Jazz thread, so here it is.
I played drums in a couple of local jam sessions in high school. Does that count?I studied jazz (two degrees) and still gig.
Any other jazzers (current or former) in these parts?
I wailed on a horn in high school! We count!I played drums in a couple of local jam sessions in high school. Does that count?
I played drums in a couple of local jam sessions in high school. Does that count?
I wailed on a horn in high school! We count!
Anyone who has ever wanted to and tried to play this music counts the world could stand to have more!I played trombone in high school and college.
I've been trying my hands lately at jazz guitar, but it's been a while since I played/practiced regularly in general so I sound like shit!Anyone who has ever wanted to and tried to play this music counts the world could stand to have more!
I always thought The All Seeing Eye deserved more love, too. Joe Chambers’s drums are very Elvin-like.Smoking and listening to wayne shorter tonight. Speak No Evil is a stone cold classic
He's soooooooooo underrated. But just listening to Elvin's drum fills on SNE is just... other worldly?I always thought The All Seeing Eye deserved more love, too. Joe Chambers’s drums are very Elvin-like.
Yeah Elvin is an absolute master. I have been in a deep dive on him for a few months now, and tomorrow after some coffee, I’ll post a longer piece about his playing. But for now, if you have access to it, check out his playing on Larry Young’s album Unity, particularly the song Monk’s Dream. Elvin’s solo is loose; it switches subdivisions without any hiccups; and, what’s so amazing: he plays the song - the band kicks right back in with him because he solos over the form of the tune, in time. He is definitely other worldly.He's soooooooooo underrated. But just listening to Elvin's drum fills on SNE is just... other worldly?
Crazy imagining Elvin's work behind a guy like Prez who hailed from a different era. Yet, strangely, in my mind it works. Like how Mingus and Max Roach worked with Ellington. Rhythmically more adventurous guys forcing more formal dudes to really unleash.Yeah Elvin is an absolute master. I have been in a deep dive on him for a few months now, and tomorrow after some coffee, I’ll post a longer piece about his playing. But for now, if you have access to it, check out his playing on Lester Young’s album Unity, particularly the song Monk’s Dream. Elvin’s solo is loose; it switches subdivisions without any hiccups; and, what’s so amazing: he plays the song - the band kicks right back in with him because he solos over the form of the tune, in time. He is definitely other worldly.
He meant Larry Young, not Lester.Crazy imagining Elvin's work behind a guy like Prez who hailed from a different era. Yet, strangely, in my mind it works. Like how Mingus and Max Roach worked with Ellington. Rhythmically more adventurous guys forcing more formal dudes to really unleash.
Jesus Christ, the one key Blue Note title that I've never actually listened to. Hahahaha. Jeeeeeesus Christ. I tied one on tonight.He meant Larry Young, not Lester.
An easy typo to make!Jesus Christ, the one key Blue Note title that I've never actually listened to. Hahahaha. Jeeeeeesus Christ. I tied one on tonight.
I should know better at least. Been brushing up on Jimmy Smith and jazz organ in general. Was weirdly averse to it for ages.An easy typo to make!
Same here! I was also not into jazz guitar players for a weirdly long time. Makes no sense to me now.I should know better at least. Been brushing up on Jimmy Smith and jazz organ in general. Was weirdly averse to it for ages.