Needles & Grooves AoTM /// Vol. 7 - January 2020 /// Clarence Clarity - No Now

Greetings all! As the brilliant and handsome @Colonel_Angus masterfully deduced, the January 2020 Needles & Grooves AOTM is
Clarence Clarity - No Now
View attachment 26544


A big thanks to everyone for contributing to the chaos and for coming along for the ride that's led up to this announcement! Special shout-out to thread runner @Joe Mac for trying to make sense of the chaos in the face of real life adversity.

This write-up is probably very scatterbrained and I apologize if it devolves into word vomit, but I promise I tried to keep only relevant info in.

It's always daunting to try to write about music for me. Often it hits me in such a specific and indescribable way that I find it difficult to place what it is about a piece of music that I love. So obviously I'm not sure how exactly to go about this write-up; as I'm typing I'm pretty much improvising hoping some sort of magic will happen. But I guess the easiest way to explain my love for the album I've chosen is to share my background with it.

At some point in 2016, high school Gap was scrolling through YouTube aimlessly instead of doing homework (a trait she's never really grown out of), when suddenly this video pops up in the recommended section:

Something I've discovered since joining the forum is that, likely due to my age, my methods of discovering music differ quite a bit from my fellow forum friends. When I was younger, I would randomly come across songs through YouTube or through downloading it from some totally legal and legitimate MP3 site. Nowadays I obviously have much more at my disposal if I want to discover new music, but I sometimes forget how satisfying and nostalgic it is to find music I love the "old-fashioned" way: unexpectedly and with no guide.

I don't remember why I clicked on the video. Maybe I was intrigued by the surreal cover art or something. What I do remember is that once it ended, I knew I had just heard something that would stick with me for a long time.

At the time when I first heard No Now, I felt like my musical tastes (among other things) made me an outcast. I liked music that I didn't quite understand and loved pop music - something I hid out of fear of being mocked. I spent several bus rides to and from school praying that I wouldn't have to answer for whatever was going on inside my earbuds. I can see now much of this fear was in my own head; everyone had more important shit to worry about than what kind of music I was listening to. But I didn't fit in anywhere in school; I kept to myself and felt alienated because I never knew how to express or explain myself and felt weird that I liked the things I did.

The reason I talk about this is that hearing Clarence Clarity's music was cathartic for the person I was then. The idea of pop music with an experimental edge wasn't completely novel to me; but I had never heard it done is such a succinctly weird way as No Now. The album was bizarre and otherworldly and overwhelming. And I knew nothing about the person behind it at the time. It was a cryptic and mysterious hidden gem that I was in awe of.

In the years that would follow, though I never forgot about it or the experience, it did eventually get buried by all the other new music I was consuming. It happens with even the best albums; it comes and goes in spells. But rediscovering it was always a treat.

If I can get a bit darker for a moment, I will admit now that I, like many, many others on the forum, have suffered from depression at various points in my life. Depression is something that affects different people in different ways and one of the worst and most frustrating things it does to me is that renders me, for lack of a better word, unimpressed by most things. It leads to me being unable to properly appreciate some truly great music because my brain is shackled down by negativity to the point where everything just melts together into one big auditory meh. Whenever I feel like this, even listening to some of my favorite artists and albums of all time can't shake me out of it.

I bring this up because No Now is one of the few albums to resist this curse. It's not that I never tire of hearing it or that it's something I want to hear every second of every day. But even after hundreds of listens, it never fails to completely floor me.

This is not an album that I expect everyone to love. And if you are repulsed by it and find it impenetrable, I completely understand. But for me, it's an album that blew my mind and made me find comfort in its strange, chaotic world. The idea that such an insane and abnormal album could exist made me extremely happy. It was like pop music turned up to eleven and then thrown in a blender. Clarence Clarity's songs clearly start somewhere human, but by the time they come out on the other side, they've become maximalist and glitchy ear candy that refuses categorization. No Now seems like it would be any artist's magnum opus; the record they poured everything they had into to make. And I hope that if this album doesn't end up being something that appeals to you, that at the very least, you can recognize that for me an album like it doesn't come along very often.

Despite the concerns with availability and my more self-conscious thoughts about how I chose to conduct my month, when I reflect on what this album means to me, I don't regret picking it at all. Many months ago, when we were discussing the eventuality of having to choose our AOTMs, @Alexander told me that one day, I'd be listening to an album and suddenly have the moment where I realized "this is the one." Lo and behold, he ended up being 100% correct. From the moment I heard it again and got the idea to choose it as my AOTM, I've been so, so excited to share it with all of you. I am forever thankful for the wonderful, supportive and accepting community that we have here, and the opportunity to share a little piece of myself with everyone. I may make another post later where I go more in depth on the music itself, but this was just something to share so that I had a write-up ready for my announcement; hope it was somewhat coherent!

Enjoy the record, everyone! I look forward to hearing feedback and reactions from all who listen to it. I'll see you next month when @ChristoBee steps up to bat!

~~~~~~~~~~~~~~~~~~


Good Job. I´m at work so i can´t listen Right now, but just peaked to see if my Mailorder has ist. And the Gold Vinyl is there with a customer review saying it sounds like Merzbow and flying Lotus playing backstreet Boys Songs. So i´m intrigued.

Overall, p till now, the only rotm Artist i had herad before the threads here was Lou Reed ( and i had not listened to blue mask before) so thank you all for the amazing curation each month. Not every Album was my Cup of tea, but all of you expanded my horizon.
 
Greetings all! As the brilliant and handsome @Colonel_Angus masterfully deduced, the January 2020 Needles & Grooves AOTM is
Clarence Clarity - No Now
View attachment 26544


A big thanks to everyone for contributing to the chaos and for coming along for the ride that's led up to this announcement! Special shout-out to thread runner @Joe Mac for trying to make sense of the chaos in the face of real life adversity.

This write-up is probably very scatterbrained and I apologize if it devolves into word vomit, but I promise I tried to keep only relevant info in.

It's always daunting to try to write about music for me. Often it hits me in such a specific and indescribable way that I find it difficult to place what it is about a piece of music that I love. So obviously I'm not sure how exactly to go about this write-up; as I'm typing I'm pretty much improvising hoping some sort of magic will happen. But I guess the easiest way to explain my love for the album I've chosen is to share my background with it.

At some point in 2016, high school Gap was scrolling through YouTube aimlessly instead of doing homework (a trait she's never really grown out of), when suddenly this video pops up in the recommended section:

Something I've discovered since joining the forum is that, likely due to my age, my methods of discovering music differ quite a bit from my fellow forum friends. When I was younger, I would randomly come across songs through YouTube or through downloading it from some totally legal and legitimate MP3 site. Nowadays I obviously have much more at my disposal if I want to discover new music, but I sometimes forget how satisfying and nostalgic it is to find music I love the "old-fashioned" way: unexpectedly and with no guide.

I don't remember why I clicked on the video. Maybe I was intrigued by the surreal cover art or something. What I do remember is that once it ended, I knew I had just heard something that would stick with me for a long time.

At the time when I first heard No Now, I felt like my musical tastes (among other things) made me an outcast. I liked music that I didn't quite understand and loved pop music - something I hid out of fear of being mocked. I spent several bus rides to and from school praying that I wouldn't have to answer for whatever was going on inside my earbuds. I can see now much of this fear was in my own head; everyone had more important shit to worry about than what kind of music I was listening to. But I didn't fit in anywhere in school; I kept to myself and felt alienated because I never knew how to express or explain myself and felt weird that I liked the things I did.

The reason I talk about this is that hearing Clarence Clarity's music was cathartic for the person I was then. The idea of pop music with an experimental edge wasn't completely novel to me; but I had never heard it done is such a succinctly weird way as No Now. The album was bizarre and otherworldly and overwhelming. And I knew nothing about the person behind it at the time. It was a cryptic and mysterious hidden gem that I was in awe of.

In the years that would follow, though I never forgot about it or the experience, it did eventually get buried by all the other new music I was consuming. It happens with even the best albums; it comes and goes in spells. But rediscovering it was always a treat.

If I can get a bit darker for a moment, I will admit now that I, like many, many others on the forum, have suffered from depression at various points in my life. Depression is something that affects different people in different ways and one of the worst and most frustrating things it does to me is that renders me, for lack of a better word, unimpressed by most things. It leads to me being unable to properly appreciate some truly great music because my brain is shackled down by negativity to the point where everything just melts together into one big auditory meh. Whenever I feel like this, even listening to some of my favorite artists and albums of all time can't shake me out of it.

I bring this up because No Now is one of the few albums to resist this curse. It's not that I never tire of hearing it or that it's something I want to hear every second of every day. But even after hundreds of listens, it never fails to completely floor me.

This is not an album that I expect everyone to love. And if you are repulsed by it and find it impenetrable, I completely understand. But for me, it's an album that blew my mind and made me find comfort in its strange, chaotic world. The idea that such an insane and abnormal album could exist made me extremely happy. It was like pop music turned up to eleven and then thrown in a blender. Clarence Clarity's songs clearly start somewhere human, but by the time they come out on the other side, they've become maximalist and glitchy ear candy that refuses categorization. No Now seems like it would be any artist's magnum opus; the record they poured everything they had into to make. And I hope that if this album doesn't end up being something that appeals to you, that at the very least, you can recognize that for me an album like it doesn't come along very often.

Despite the concerns with availability and my more self-conscious thoughts about how I chose to conduct my month, when I reflect on what this album means to me, I don't regret picking it at all. Many months ago, when we were discussing the eventuality of having to choose our AOTMs, @Alexander told me that one day, I'd be listening to an album and suddenly have the moment where I realized "this is the one." Lo and behold, he ended up being 100% correct. From the moment I heard it again and got the idea to choose it as my AOTM, I've been so, so excited to share it with all of you. I am forever thankful for the wonderful, supportive and accepting community that we have here, and the opportunity to share a little piece of myself with everyone. I may make another post later where I go more in depth on the music itself, but this was just something to share so that I had a write-up ready for my announcement; hope it was somewhat coherent!

Enjoy the record, everyone! I look forward to hearing feedback and reactions from all who listen to it. I'll see you next month when @ChristoBee steps up to bat!

~~~~~~~~~~~~~~~~~~

Awesome pick! I’ve heard some of Clarence’s other work but not this one, so I’m definitely excited to listen!
 
Greetings all! As the brilliant and handsome @Colonel_Angus masterfully deduced, the January 2020 Needles & Grooves AOTM is
Clarence Clarity - No Now
View attachment 26544


A big thanks to everyone for contributing to the chaos and for coming along for the ride that's led up to this announcement! Special shout-out to thread runner @Joe Mac for trying to make sense of the chaos in the face of real life adversity.

This write-up is probably very scatterbrained and I apologize if it devolves into word vomit, but I promise I tried to keep only relevant info in.

It's always daunting to try to write about music for me. Often it hits me in such a specific and indescribable way that I find it difficult to place what it is about a piece of music that I love. So obviously I'm not sure how exactly to go about this write-up; as I'm typing I'm pretty much improvising hoping some sort of magic will happen. But I guess the easiest way to explain my love for the album I've chosen is to share my background with it.

At some point in 2016, high school Gap was scrolling through YouTube aimlessly instead of doing homework (a trait she's never really grown out of), when suddenly this video pops up in the recommended section:

Something I've discovered since joining the forum is that, likely due to my age, my methods of discovering music differ quite a bit from my fellow forum friends. When I was younger, I would randomly come across songs through YouTube or through downloading it from some totally legal and legitimate MP3 site. Nowadays I obviously have much more at my disposal if I want to discover new music, but I sometimes forget how satisfying and nostalgic it is to find music I love the "old-fashioned" way: unexpectedly and with no guide.

I don't remember why I clicked on the video. Maybe I was intrigued by the surreal cover art or something. What I do remember is that once it ended, I knew I had just heard something that would stick with me for a long time.

At the time when I first heard No Now, I felt like my musical tastes (among other things) made me an outcast. I liked music that I didn't quite understand and loved pop music - something I hid out of fear of being mocked. I spent several bus rides to and from school praying that I wouldn't have to answer for whatever was going on inside my earbuds. I can see now much of this fear was in my own head; everyone had more important shit to worry about than what kind of music I was listening to. But I didn't fit in anywhere in school; I kept to myself and felt alienated because I never knew how to express or explain myself and felt weird that I liked the things I did.

The reason I talk about this is that hearing Clarence Clarity's music was cathartic for the person I was then. The idea of pop music with an experimental edge wasn't completely novel to me; but I had never heard it done is such a succinctly weird way as No Now. The album was bizarre and otherworldly and overwhelming. And I knew nothing about the person behind it at the time. It was a cryptic and mysterious hidden gem that I was in awe of.

In the years that would follow, though I never forgot about it or the experience, it did eventually get buried by all the other new music I was consuming. It happens with even the best albums; it comes and goes in spells. But rediscovering it was always a treat.

If I can get a bit darker for a moment, I will admit now that I, like many, many others on the forum, have suffered from depression at various points in my life. Depression is something that affects different people in different ways and one of the worst and most frustrating things it does to me is that renders me, for lack of a better word, unimpressed by most things. It leads to me being unable to properly appreciate some truly great music because my brain is shackled down by negativity to the point where everything just melts together into one big auditory meh. Whenever I feel like this, even listening to some of my favorite artists and albums of all time can't shake me out of it.

I bring this up because No Now is one of the few albums to resist this curse. It's not that I never tire of hearing it or that it's something I want to hear every second of every day. But even after hundreds of listens, it never fails to completely floor me.

This is not an album that I expect everyone to love. And if you are repulsed by it and find it impenetrable, I completely understand. But for me, it's an album that blew my mind and made me find comfort in its strange, chaotic world. The idea that such an insane and abnormal album could exist made me extremely happy. It was like pop music turned up to eleven and then thrown in a blender. Clarence Clarity's songs clearly start somewhere human, but by the time they come out on the other side, they've become maximalist and glitchy ear candy that refuses categorization. No Now seems like it would be any artist's magnum opus; the record they poured everything they had into to make. And I hope that if this album doesn't end up being something that appeals to you, that at the very least, you can recognize that for me an album like it doesn't come along very often.

Despite the concerns with availability and my more self-conscious thoughts about how I chose to conduct my month, when I reflect on what this album means to me, I don't regret picking it at all. Many months ago, when we were discussing the eventuality of having to choose our AOTMs, @Alexander told me that one day, I'd be listening to an album and suddenly have the moment where I realized "this is the one." Lo and behold, he ended up being 100% correct. From the moment I heard it again and got the idea to choose it as my AOTM, I've been so, so excited to share it with all of you. I am forever thankful for the wonderful, supportive and accepting community that we have here, and the opportunity to share a little piece of myself with everyone. I may make another post later where I go more in depth on the music itself, but this was just something to share so that I had a write-up ready for my announcement; hope it was somewhat coherent!

Enjoy the record, everyone! I look forward to hearing feedback and reactions from all who listen to it. I'll see you next month when @ChristoBee steps up to bat!

~~~~~~~~~~~~~~~~~~


Don't sell yourself short, this is a fantastic write up!

This bit right here guaranteed I would be listening to this today haha amazing description: "It was like pop music turned up to eleven and then thrown in a blender. Clarence Clarity's songs clearly start somewhere human, but by the time they come out on the other side, they've become maximalist and glitchy ear candy that refuses categorization."
 
Giving this a stream right now and all I can say is... this is something haha. I like it! I struggle to say why or how much yet, but there is something here that is captivating me.

On a side note, how cool would it be if we could crowdfund N&G exclusives of things like this which are a bit off the radar and on smaller, indie labels? I know there is likely a mile of red tape involved, but it was a fun thought I had while listening. In all likelihood this has been mentioned before!
 
I ashamedly have two AOTMs to complete the collection so far - The Gloaming (I’m teetering on that bundle deal. And our Metal pic which I was absent for that month in the main and didn’t get invested in it.
Looks like I’m gonna have to fix this.
 
Very interesting pick!
Immediate stand outs after a partial listen on my commute: Alive in the Septic Tank, Buck Toothed Particle Smashers, Those who can't, cheat; Meadow Hopping, Traffic Stopping, Death Splash (this one is my favorite so far).
 
So i spent 45 mins listening on my ear pods at the gym, 3 tunes really hit home (no idea which ones until next time).

This is definitely a good first listen given i was sweating buckets at the time !!! Hard to fully concentrate on the music at the gym !
 
Were there goddamn BLAST BEATS in some of those songs?? It's like freaking Hardcore with grime and vaporwave production but in a pop framework. I dunno, that's what I got out of a first listen. Ready for more!
 
Great pick @gaporter! This is the first AOTM I owned already (aside from my own pick, which I actually found the reissue of when I was looking for an album to be my AOTM), so I think that's a sign from heaven to go and pick last month's pick haha.
This is an album which I don't spin very often, because I'm rarely in the mood for its noisier-chaotic moments, but every time I play it I'm like "damn, why don't I listen to this record more often?" I'm happy to revisit it this month and discuss it here with y'all.
 
okay, yep, I love it.

side note: Ginger Baker does not love that heavy breath interlude bit towards the beginning of side 2. end of track 4? not sure. he started flipping ouuuut 😸)
 
Seriously this album is bonkers. Sometimes it feels like a deranged Prince. Sometimes it feels like Jeff Buckley playing video games too loud with jackhammer work happening nearby (in a good way). There’s just Sooo much going on!! But despite the chaos, the songs maintain an internally consistent “emotional message.” In other words, it’s not just noise.

Also, I love that a pop song starts “Fuck you! I put cancer in the water” college punk rock me approves

I love this album more each listen. Amazon needs to get this to me NOW!
 
i found this album when i was in high school in 2016 too wtf.
This shit is a landmark tho. An album so maximalist that you hear something new every time you listen to it, and so catchy that it never gets old. Actually timeless.

His old music is pretty dope too. Elle Milano era has some whammers


Oh wow I've never heard this. I guess it isn't surprising people managed to dig up his older projects. Artists who don't put their personal lives out there for public consumption ironically tend to be the ones the hardcore fans take the biggest magnifying glass to.

It's like how Death Grips fans dig shit like this up lol
 
Ok, this one is really challenging for me. This is good, because it exposes me to stuff I would't research on my own, but I'm not sure to like it enough to buy it.

But I'm very glad to have been led onto this path, and i'll try again on streaming. :)
As I said in my intro post and write-up, I don't at all expect this album to be everyone's cup of tea and that's okay! In my opinion, as @sorcerer said, it does reward repeated listens. Things that sound like pure noise and chaos on first listen will become much more comprehensible and you'll find you're able to pick out the melodies and hooks hidden in every corner of the production more and more. But hey, if it's not your thing, it's not your thing! Thanks for taking the time to give it a chance and I appreciate the honesty ^_^
 
As I said in my intro post and write-up, I don't at all expect this album to be everyone's cup of tea and that's okay! In my opinion, as @sorcerer said, it does reward repeated listens. Things that sound like pure noise and chaos on first listen will become much more comprehensible and you'll find you're able to pick out the melodies and hooks hidden in every corner of the production more and more. But hey, if it's not your thing, it's not your thing! Thanks for taking the time to give it a chance and I appreciate the honesty ^_^
I'm going to try out this album today. I wonder if those of us coming from a black metal/death metal/etc background will be more apt to pick out the melodies behind the blasting chaos as we're so accustomed to it?
 
I'm going to try out this album today. I wonder if those of us coming from a black metal/death metal/etc background will be more apt to pick out the melodies behind the blasting chaos as we're so accustomed to it?
It's possible! I can definitely hear some metal influence in Clarence's work at certain points, even if its somewhat subtle. I'd be very interested to hear thoughts on it from that point of view!
 
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