“It starts with a shimmer of something strange and soft, an ambient mist of strings that's both electronic and acoustic. Then something weird happens. Out of these shifting sonic tides comes an ensemble of violins – playing fragments of the world's most overfamiliar concerto, the soundtrack to 1,000 adverts, an on-hold phone favourite that features on every classical compilation ever. Yes, it's Vivaldi's Four Seasons – but not as we know it.” – Tom Service
Announcing the July AotM! The first of Year Two. What a wild ride it was, but you got there in the end. Congratulations to @supahypeag for guessing it first, even if he did originally discount the guess!
My choice for the Album of the Month is ‘Recomposed by Max Richter: Vivaldi – The Four Seasons’. This might be a divisive, strange and unexpected pick for some, and I must admit I was a bit nervous about picking it. But I went with my gut, I love this album and I am certain it brings something new to the table for us to discuss and listen to.
"It's beautiful, charming music with a great melody and wonderful colors. Then, later on, as I became more musically aware — literate, studied music and listened to a lot of music — I found it more difficult to love it. For me, the record and the project are trying to reclaim the piece, to fall in love with it again."– Max Richter
So, why this album? Ever since I first heard it, and every subsequent time since, I never fail to be amazed at what Max Richter has accomplished by taking something so well known, and so iconic as the music of The Four Seasons and making it his own.
Without diluting so much as for it to become unrecognisable (impressive considering he said himself that he only used around 25% of the original music), but also not just simply replaying (or 'covering' ) the music with modern day production, what he has crafted here is a record of trancendental beauty, a hybrid of old and new and something that I think belongs in everyone’s collection.
I haven't got anything else to add, really. The music speaks for itself. What I will say, though, is that one day I dream to have 'Spring 1' play at some point during my wedding (if I ever get so lucky in a relationship to get that far and also pending said future wife's permission..!). That song casts a spell over me, and I can't think of a more magical day where it would befit.
"There are times I depart completely from the original, yes, but there are moments when it pokes through. I was pleased to discover that Vivaldi's music is very modular. It's pattern music, in a way, so there's a connection with the whole post-minimalist aesthetic I'm part of." – Max Richter
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