I was a bit bummed I missed out on the captured tracks box set but I have now have the ROG of Lunapark and Lunafied, the recent reissue of Bewitched from Gotta Groove, and the RSD RTI pressing of Penthouse. All have been excellent quality. Hopefully they keep it going.
Excited for mine to arrive. I think the coloured vinyl is supposed to start shipping around Feb 10
You shall be shunned!
I assumed you saw it in person, standing behind the camera making sure he didn’t try to send some kind of signal or secret message to the outside world
MD finally changed my order to shippable. They blew through their inventory quickly.
Indeed they are, all digital.
Man I just read his review.
It sounds great. Worth grabbing for sure.I recently grabbed the Dave Matthews and Tim Reynolds Luther College set from @Plaid Room / Colemine and man does it sound fantastic! Now I'm wondering if the Red Rocks show sounds just as good, and if so where can I grab it?
I have had great experience with P-Vine, and have quite a few.
They call that the BoomBoom effectI recently grabbed the Dave Matthews and Tim Reynolds Luther College set from @Plaid Room / Colemine and man does it sound fantastic! Now I'm wondering if the Red Rocks show sounds just as good, and if so where can I grab it?
Well that makes me excited for the Irvine reissues! There are a few of his I’ve wanted that have been hard to find or haven’t had great reissues
Maybe digital, maybe tape, nobody seems to really know unless I am missing something obvious. To me, Spectrum sounds good, but not "wow".
anywherestore.p-vine.jp
anywherestore.p-vine.jp
I agree.I get all of this, but isn't it inevitably a can of worms/ preference based discussion?
Digital, analog, a little of both, all start with the mastering > pressing > stylus > turntable > phono pre > amp > speakers > space.....and personal preferences.
So unless we're all listening to the same exact pressing on the same exact rig in the same exact room, "how's it sound" is a guesstimate at best.
That said, yes, a pressing with known solid mastering and pressing is going to give you the "best" sound, but I think we tend to go too black and white with some of this.
Just an opinion
Same, for all the gear I've cycled through i appreciate the lessons learned, but I'm happy that I'm not chasing anything anymore and good with what I have.
Yes! Also, my copy of X record (the band, hopefully!I get all of this, but isn't it inevitably a can of worms/ preference based discussion?
Digital, analog, a little of both, all start with the mastering > pressing > stylus > turntable > phono pre > amp > speakers > space.....and personal preferences.
So unless we're all listening to the same exact pressing on the same exact rig in the same exact room, "how's it sound" is a guesstimate at best.
That said, yes, a pressing with known solid mastering and pressing is going to give you the "best" sound, but I think we tend to go too black and white with some of this.
Just an opinion
) could sound largely different than yours just from the stamp. It's virtually impossible to determine that every copy of something will sound the same!
Indeed! And even in the same room with the same gear and the same disc and the same ears! Some days are somehow better than others.I get all of this, but isn't it inevitably a can of worms/ preference based discussion?
Digital, analog, a little of both, all start with the mastering > pressing > stylus > turntable > phono pre > amp > speakers > space.....and personal preferences.
So unless we're all listening to the same exact pressing on the same exact rig in the same exact room, "how's it sound" is a guesstimate at best.
That said, yes, a pressing with known solid mastering and pressing is going to give you the "best" sound, but I think we tend to go too black and white with some of this.
Just an opinion
