Dtknuckles
Well-Known Member
Have we talked about how they are creating a forum for this one?
no, but as we saw with the FB group. It's not the platform its the people that make a good community.
Have we talked about how they are creating a forum for this one?
I have to laugh because they seem to be hell bent on trying to find a way to cut down on negative feedback or commenting........that's not going to change until you present a product without issuesHave we talked about how they are creating a forum for this one?
Have we talked about how they are creating a forum for this one?
Have we talked about how they are creating a forum for this one?
I mean I have much more time to listen to 8 mowtown records than 6 blue note ones but I’d rather not pay such a comical price...
I’m just going off the standard $35 for single MoFi / APs, inflated to $40 at my local shop, which if I did my math right (likely did not lol) this is roughly in line with. That said, a box should always drive price down.
Yeah i Base it off Motown (wooooo got it right this time, fuck you iPhone) being one of the cheapest labels generally and them doing AAA QRP classics for $23 a shot.
Great so he can tell me 2x as much that I am a pleb for listening to Broken Record podcast (technically this happened on FB live but whatever) instead of whatever fancy podcasts he listens to.And with 200% more Storf!
Honestly though I didn't think he did a bad job for his first podcast. I used to do a TV show recap podcast with my wife for fun and they're definitely not easy to do. I mean, the podcast was just one long interview with Don Was but I felt like he produced it pretty well. Definitely shouldn't have been their big selling point... but wasn't bad.
I'm confused by your gif. but did you see the prices on those records 500 pounds. My monthly food budget is less.
Sorry I just can't stop thinking about this. So everyone complained last time about not knowing the titles upfront (even though we kind of figured them out and then it sold out anyway). Instead of taking that feedback and deciding to announce them this time because, you know, that's what their customers want, they've stuck to their guns and are still not announcing them (and have seemingly made it harder to deduce this time). SO....someone at VMP (probably many people) got together and decided that the surprise element is so important to the Anthology experience that they're sticking with it in spite of the negative feedback from the BN rollout.
My question is...WHY? How is this experience enhanced by NOT knowing what the albums will be? Why is THAT (the surprise) more important than giving your customers what they want (knowing what they're purchasing)??
Please tell me Ron, the Vinyl Junkies guy, will be moderating it. That would be a game changer.
FOMOSorry I just can't stop thinking about this. So everyone complained last time about not knowing the titles upfront (even though we kind of figured them out and then it sold out anyway). Instead of taking that feedback and deciding to announce them this time because, you know, that's what their customers want, they've stuck to their guns and are still not announcing them (and have seemingly made it harder to deduce this time). SO....someone at VMP (probably many people) got together and decided that the surprise element is so important to the Anthology experience that they're sticking with it in spite of the negative feedback from the BN rollout.
My question is...WHY? How is this experience enhanced by NOT knowing what the albums will be? Why is THAT (the surprise) more important than giving your customers what they want (knowing what they're purchasing)??
Sorry I just can't stop thinking about this. So everyone complained last time about not knowing the titles upfront (even though we kind of figured them out and then it sold out anyway). Instead of taking that feedback and deciding to announce them this time because, you know, that's what their customers want, they've stuck to their guns and are still not announcing them (and have seemingly made it harder to deduce this time). SO....someone at VMP (probably many people) got together and decided that the surprise element is so important to the Anthology experience that they're sticking with it in spite of the negative feedback from the BN rollout.
My question is...WHY? How is this experience enhanced by NOT knowing what the albums will be? Why is THAT (the surprise) more important than giving your customers what they want (knowing what they're purchasing)??
Sorry I just can't stop thinking about this. So everyone complained last time about not knowing the titles upfront (even though we kind of figured them out and then it sold out anyway). Instead of taking that feedback and deciding to announce them this time because, you know, that's what their customers want, they've stuck to their guns and are still not announcing them (and have seemingly made it harder to deduce this time). SO....someone at VMP (probably many people) got together and decided that the surprise element is so important to the Anthology experience that they're sticking with it in spite of the negative feedback from the BN rollout.
My question is...WHY? How is this experience enhanced by NOT knowing what the albums will be? Why is THAT (the surprise) more important than giving your customers what they want (knowing what they're purchasing)??
Why isn't there a vomit emoji to give this postPlease tell me Ron, the Vinyl Junkies guy, will be moderating it. That would be a game changer.