Needles & Grooves AotM /// Vol 26 -August 2021 /// TEENAGE FANCLUB “Grand Prix” 1995

Also, the B-sides from the singles off this album are fantastic. Doesn't look like they are on Spotify, and YouTube is a bit patchy. The alternative key versions of the singles are great, and I think they are up.
Teenage Fanclub are very spotty in terms of what is up on any platform, especially YouTube. I just went looking for a video of theirs ("Norman 3") that has now disappeared since I watched it last week. It's the third time in a few years I have seen a video of theirs come and go for no reason!
 
Thoughts on Teenage Fanclub.

Some bands / albums arrive at the right time, others that are often more deserving just don’t get the breaks ...

So the Fannies were old school indie during the whole indie/dance crossover of Madchester

Went a bit Neil Young / grungy as the scene died with Kurt’s passing

Hit musical perfection in the full Britpop sales explosion when anything not number 1 was seen as a bit of a letdown

Continued to make great albums thru to the sorry demise of Creation records and ended up getting lost in Sony’s empire ...

And are now back releasing small label albums having lost one third of the mighty songwriters within

The albums from Bandwagonesque to Howdy! are all pretty essential, but Grand Prix hit perfection for me , and the follow up refined that formula even more ..so I’d also check out Songs from Northern Britain.

I chose Grand Prix as it’s a timeless classic , three songwriters on peak form , wonderful production, great sequencing ...that opening blast of Start Again , the wonderful ballad Tears , Neil Jung ...Sparks’s Dream ..Don't look back , Mellow Doubt ..classics one and all...

I suggest that this is the Rubber Soul of the 90’s ..pop rock perfection
 
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1996 and all that ...

It’s worth me putting the background of the times I first heard this album into context ..

The album came out in 1995 but I got my copy in early 1996..the early 90’s in the U.K. indie and alternative music scenes had gone from the baggy rock of the Madchester scene thru to grunge ...then something started stirring..Suedes first album invoked the twin ghosts of Bowie and the Smiths in 1993, but 1994 turned things up a notch ...Parklife, His N Hers , The Holy Bible, Definitely Maybe , Vauxhall and I and culminated in the epic Dog Man Star ..what a year of classics ...meanwhile the Fannies were beavering away in the studio ...

By 1995 everything changed ..nightclubs started playing guitar bands, my local Mecca Snobs in Birmingham was suddenly attracting the office crowds , indie was mainstream, and it all went a bit crazy ...number one singles for Oasis ...the dreaded chart battle with Blur ...wonder wall .....Supergrass.. Common People .. you could get into clubs in Addis footwear ..this was progress ..even the Beatles were back

Cue Knebworth and Euro 1996 to kick it up another gear ..that summer was a superb time to be 25 , single , reasonable job ..about to buy my first place ...one last hurrah .. still buying loads of great new music ..the 1st Bluetones album , Suede Coming Up again, Everything Must go..and in the midst of this was Grand Prix. It just chimed with the times, not mainstream ..never heard it in Snobs on the dance floor ..but anyone I played it too loved it ..by rights it should have been more well known ..just got lost in the landslide of superb music those few years ..where were you while we were getting high ...and one night England 4 Holland 1 ...the spirit of 66 was alive somewhere ..didn't last ..damn penalties...

By 1997 it got a bit serious , Blurs self titled , In it for the Money , Ok Computer , Urban Hymns ...and by 1998 This is Hardcore crashes the party down ..guitars out .prodigy , massive attack , chemical brothers saw it thru the door and out into the street , taxi home ..the masses were deserting ..spice girls restored the industry packaging pop process leading to the awful boy band shite to come ...

But Grand Prix is still chiming away , those opening guitar chords and harmonies ..as if McCartney teamed up with Gene Clark and ported Neil Young with the ghost of Kurt into orbit from the revolver sessions to 1995 and said

I always knew the way about you
I always knew the way about you
Always on my mind
Always take my time
Take my time and I can find my way
 
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My first exposure to Teenage Fanclub was seeing a clip of their collaboration with De La Soul on the Chart Show, so I was a little surprised when I first heard “Mellow Doubt” as the lead single from ‘Grand Prix’. Totally not the band I thought they were!

Also used to have to play the b-side to the “Mellow Doubt” 7” very quietly, if at all, given I was 12.
 
My first exposure to Teenage Fanclub was seeing a clip of their collaboration with De La Soul on the Chart Show, so I was a little surprised when I first heard “Mellow Doubt” as the lead single from ‘Grand Prix’. Totally not the band I thought they were!

Also used to have to play the b-side to the “Mellow Doubt” 7” very quietly, if at all, given I was 12.
My first exposure to Teenage Fanclub was also De La Soul related when I got the Judgement Night soundtrack from Columbia House back when I was 13. It and the Biohazard/Onyx song were my favourites on the whole thing.
 
1996 and all that ...

It’s worth me putting the background of the times I first heard this album into context ..

The album came out in 1995 but I got my copy in early 1996..the early 90’s in the U.K. indie and alternative music scenes had gone from the baggy rock of the Madchester scene thru to grunge ...then something started stirring..Suedes first album invoked the twin ghosts of Bowie and the Smiths in 1993, but 1994 turned things up a notch ...Parklife, His N Hers , The Holy Bible, Definitely Maybe , Vauxhall and I and culminated in the epic Dog Man Star ..what a year of classics ...meanwhile the Fannies were beavering away in the studio ...

By 1995 everything changed ..nightclubs started playing guitar bands, my local Mecca Snobs in Birmingham was suddenly attracting the office crowds , indie was mainstream, and it all went a bit crazy ...number one singles for Oasis ...the dreaded chart battle with Blur ...wonder wall .....Supergrass.. Common People .. you could get into clubs in Addis footwear ..this was progress ..even the Beatles were back

Cue Knebworth and Euro 1996 to kick it up another gear ..that summer was a superb time to be 25 , single , reasonable job ..about to buy my first place ...one last hurrah .. still buying loads of great new music ..the 1st Bluetones album , Suede Coming Up again, Everything Must go..and in the midst of this was Grand Prix. It just chimed with the times, not mainstream ..never heard it in Snobs on the dance floor ..but anyone I played it too loved it ..by rights it should have been more well known ..just got lost in the landslide of superb music those few years ..where were you while we were getting high ...and one night England 4 Holland 1 ...the spirit of 66 was alive somewhere ..didn't last ..damn penalties...

By 1997 it got a bit serious , Blurs self titled , In it for the Money , Ok Computer , Urban Hymns ...and by 1998 This is Hardcore crashes the party down ..guitars out .prodigy , massive attack , chemical brothers saw it thru the door and out into the street , taxi home ..the masses were deserting ..spice girls restored the industry packaging pop process leading to the awful boy band shite to come ...

But Grand Prix is still chiming away , those opening guitar chords and harmonies ..as if McCartney teamed up with Gene Clark and ported Neil Young with the ghost of Kurt into orbit from the revolver sessions to 1995 and said

Start Again ....
Let's travel 280 miles and maybe 10/15 years back to Bellshill.

Not far away from Glasgow, but close enough that travelling into town feels like an adventure, Bellshill isn't a tourist destination. Because of this, a bunch of friends spend their time listening to music, learning instruments and playing in each others bands. You could base a record collection off the bands that are created during this time: The Vaccines/Eugenius, Superstar, The Soup Dragons. At it's heart are 2 friends: Norman Blake and Douglas Stewart.

Duglas drops a letter from his name and creates the BMX Bandits. Norman joins up with his pals and creates Teenage Fanclub. The rest is history.

While not all of the bands above are still going, all of the members are still active in some shape or form. The Bandits still play, and their albums are being re-released by a local Glasgow label. Everyone still releases music that's worth a listen.

What these bands, including The Fannies, did to boost the confidence of the bands that followed is immeasurable. Bands like Mogwai, The Delgados, Belle & Sebastian, Bis, etc. wouldn't exist, or wouldn't still live in Glasgow, if those bands didn't have success under their own terms while not moving down to London. They are national treasures, and their impact on modern Scottish culture is huge.

For those in the US that have it, I would recommend watching the documentary on Prime below, which explains all this a lot better, and expands the story to include The Pastels and The Jesus and Mary Chain. Stevie Pastel runs my local record store. The history of these bands is embedded into the music culture here, and they continue to influence. Stevie sold me the last records I'll buy in Glasgow for a while. While I'll be miles away, Grand Prix and countless other albums will keep me close.

Amazon product ASIN B07G4Q6P99
 
My first exposure to Teenage Fanclub was also De La Soul related when I got the Judgement Night soundtrack from Columbia House back when I was 13. It and the Biohazard/Onyx song were my favourites on the whole thing.
Same, although it was Helmet/House of Pain and Slayer/Ice T for me.

Grand Prix was one of my first steps out of 90's alt-metal into a wider world. I worked in a bookstore during university that had a record store around the corner. One of my workmates became my proxy big-sister-who's-record-collection-I-would-steal, and she had a huge influence on where my record collection went. The 2CD version of Grand Prix was in the sale (£6, I think), and she pretty much ordered me to but it. Ended up opening up a whole new world...
 
1996 and all that ...

It’s worth me putting the background of the times I first heard this album into context ..

The album came out in 1995 but I got my copy in early 1996..the early 90’s in the U.K. indie and alternative music scenes had gone from the baggy rock of the Madchester scene thru to grunge ...then something started stirring..Suedes first album invoked the twin ghosts of Bowie and the Smiths in 1993, but 1994 turned things up a notch ...Parklife, His N Hers , The Holy Bible, Definitely Maybe , Vauxhall and I and culminated in the epic Dog Man Star ..what a year of classics ...meanwhile the Fannies were beavering away in the studio ...

By 1995 everything changed ..nightclubs started playing guitar bands, my local Mecca Snobs in Birmingham was suddenly attracting the office crowds , indie was mainstream, and it all went a bit crazy ...number one singles for Oasis ...the dreaded chart battle with Blur ...wonder wall .....Supergrass.. Common People .. you could get into clubs in Addis footwear ..this was progress ..even the Beatles were back

Cue Knebworth and Euro 1996 to kick it up another gear ..that summer was a superb time to be 25 , single , reasonable job ..about to buy my first place ...one last hurrah .. still buying loads of great new music ..the 1st Bluetones album , Suede Coming Up again, Everything Must go..and in the midst of this was Grand Prix. It just chimed with the times, not mainstream ..never heard it in Snobs on the dance floor ..but anyone I played it too loved it ..by rights it should have been more well known ..just got lost in the landslide of superb music those few years ..where were you while we were getting high ...and one night England 4 Holland 1 ...the spirit of 66 was alive somewhere ..didn't last ..damn penalties...

By 1997 it got a bit serious , Blurs self titled , In it for the Money , Ok Computer , Urban Hymns ...and by 1998 This is Hardcore crashes the party down ..guitars out .prodigy , massive attack , chemical brothers saw it thru the door and out into the street , taxi home ..the masses were deserting ..spice girls restored the industry packaging pop process leading to the awful boy band shite to come ...

But Grand Prix is still chiming away , those opening guitar chords and harmonies ..as if McCartney teamed up with Gene Clark and ported Neil Young with the ghost of Kurt into orbit from the revolver sessions to 1995 and said

Start Again ....
I gotta tell ya- I read this write-up out loud like slam poetry... to an audience of my cat. fun stuff, it put me there and I'm excited to listen again while "borrowing" these ears.
 
Let's travel 280 miles and maybe 10/15 years back to Bellshill.

Not far away from Glasgow, but close enough that travelling into town feels like an adventure, Bellshill isn't a tourist destination. Because of this, a bunch of friends spend their time listening to music, learning instruments and playing in each others bands. You could base a record collection off the bands that are created during this time: The Vaccines/Eugenius, Superstar, The Soup Dragons. At it's heart are 2 friends: Norman Blake and Douglas Stewart.

Duglas drops a letter from his name and creates the BMX Bandits. Norman joins up with his pals and creates Teenage Fanclub. The rest is history.

While not all of the bands above are still going, all of the members are still active in some shape or form. The Bandits still play, and their albums are being re-released by a local Glasgow label. Everyone still releases music that's worth a listen.

What these bands, including The Fannies, did to boost the confidence of the bands that followed is immeasurable. Bands like Mogwai, The Delgados, Belle & Sebastian, Bis, etc. wouldn't exist, or wouldn't still live in Glasgow, if those bands didn't have success under their own terms while not moving down to London. They are national treasures, and their impact on modern Scottish culture is huge.

For those in the US that have it, I would recommend watching the documentary on Prime below, which explains all this a lot better, and expands the story to include The Pastels and The Jesus and Mary Chain. Stevie Pastel runs my local record store. The history of these bands is embedded into the music culture here, and they continue to influence. Stevie sold me the last records I'll buy in Glasgow for a while. While I'll be miles away, Grand Prix and countless other albums will keep me close.

Amazon product ASIN B07G4Q6P99

Great call - this was shown on sky arts recently in the U.K. - highly recommended
 
As promised here’s the U.K. cd singles from the album - the final release was an acoustic ep of a song from each of the 1st 4 albums - including the definitive version of Everything Flows from album 1 - total of 17 new songs or covers - and 8 alternate versions - which is why I’ve kept alll my cd singles - some serious treasure in the 90s

8E469811-3028-44D3-9739-B3A5C9CAC9BC.jpegC5641C15-1FAE-40D8-8A05-55D6A209F03D.jpeg
 
My first exposure to Teenage Fanclub was seeing a clip of their collaboration with De La Soul on the Chart Show, so I was a little surprised when I first heard “Mellow Doubt” as the lead single from ‘Grand Prix’. Totally not the band I thought they were!

Also used to have to play the b-side to the “Mellow Doubt” 7” very quietly, if at all, given I was 12.

My first exposure to Teenage Fanclub was also De La Soul related when I got the Judgement Night soundtrack from Columbia House back when I was 13. It and the Biohazard/Onyx song were my favourites on the whole thing.

My first exposure to them was when they were the musical guest on Saturday Night Live.

Anyone else?
 
As promised here’s the U.K. cd singles from the album - the final release was an acoustic ep of a song from each of the 1st 4 albums - including the definitive version of Everything Flows from album 1 - total of 17 new songs or covers - and 8 alternate versions - which is why I’ve kept alll my cd singles - some serious treasure in the 90s

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...Have Lost It has been on my wishlist for ages.
 
Listening thru all the singles at the moment ...

What’s apparent is the uplift David Bianco’s production gave these songs ...he really developed their sound from the slightly murky Thirteen album ...the alternative versions which the band produced are turbo charged when they got to the album ....
 
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