That Saba album is the hottest shit out of any new kid this decade. That and Colouring book. Check the U.
I will explain to you why I think Sabaās Care For Me does not live up to the hype and why I donāt think itās a great record. This is a quick review. (I listened to the album again!)
I like that Saba revisits a lot of 2000ās/early 2010ās R&B production, and I like the jazzy horns you find in half the tracks as well, itās tastefully executed! Iād describe the production overall on this album as being ācozyā, especially on the first and last track.
But there are problems with half the tracks here. I like the concept for the track āBroken Girlsā, but I think Sabaās deep monotone voice repeating āgirlsā gets tiring. It feels like the chorus is just a placement holder, rather than actually a chorus thatās memorable, melodic or that ties the whole theme of the song together. I feel the same way with the chorus of āSmileā. It just sounds like a placement holder, the singing once again is bland and it sounds empty - a feeling Saba feels, but what is empty is the chorus, thereās no momentum or taste in it. Itās like heās being a bit bossy and wants himself to smile or someone else to smile but doesnāt want to put the effort in. The first track is also very disappointing from a chorus aspect, TheMIND just sounds like a lifeless version of James Fauntleroy.
Next problem I have is with Saba lacking characteristic. Yes, he has amazing storytelling, especially on King/Prom, and he is painfully honest and does a great job to with making you connect with him sentimentally. But, what is that auto tuned yelling singing stuff heās doing at the end of Calligraphy??? That just sounds very tacky and isnāt tastefully executed at all. And on the track Fighter, Saba sounds so much like Mick Jenkins whilst rapping and thatās unfortunate because the beat feels āwatteredā down and low-key. The song sounds like a leftover from Mick Jenkinsā The Water(s). The chorus of Fighter unintentionally sounds like Saba a tiny bit like heās a sad man whinging. The woman vocals and the whole polished sound of this chorus unfortunately gives it that effect. If it was just more stripped and raw, it would have a much better effect.
The only song in the first 6 tracks that I feel is truly a great song in terms of overall structure and performance is āLifeā. That song is absolutely incredible, I love the creeping bass and Sabaās tone constantly changing and the explosion of his feelings in the chorus. Itās an incredible track.
Then you have the incredible Logout, which is colourful, slick, and tender and features beautiful warm pianos. The performance is sharp and Chance The Rapperās feature is incredible, funny and cute. I love the abrupt ending, it fits in to theme of logging out.
Then you have my favourite track āGreyā, which has a beat very similar to Kissey Asplundās āCaosā. I think the chorus here is extremely clever, directly and indirectly, with Saba explaining how sometimes your best work is usually unknown/not the ābig song/known songā. And the manipulation of Sabaās voice on the chorus sounds great, and the jazzy horns sound excellent creeping into the chorus too. The TPAB-like second half of Grey is excellent too, even if it might feel a bit unoriginal in sound.
Prom/King shows why Saba is a great storyteller. This track is also as good as Grey. No need for me to explain why this track is incredible. Itās anecdotal, narrative rap at its finest! A real highlight of 2018!
So yes, there are some definite highlights on Care For Me, but unfortunately half the tracks are forgettable due to Sabaās performance. The low-key, nocturnal, perceptive production can therefore sound a bit copy and paste. Care For Me is still a solid project, but doesnāt have enough strong tracks to make it an overall great project.