TrainFan73
Frothy
I was gonna say something along the lines of…I don't know, ever seen the lyrics written by music theorists?
Critical thought should be left to the experts.
Signed by the philosophy major
I was gonna say something along the lines of…I don't know, ever seen the lyrics written by music theorists?
I don't know, ever seen the lyrics written by music theorists?
It just so happens that this morning I was re-reading the beginning of chapter 8 of Formalized Music by Iannis Xenakis. (You can oogle up a PDF of it if you like.) I love how it explains that Pythagorean thinking (that things are numbers, or that things re furnished with numbers, or that things are similar to numbers) ended up dominating all modern thought. Although I suspect even Xenakis didn't see quite the scale of the digital revolution (the Shannon Revolution) already under way when he wrote it.I get your point, but I’d say the general population has a good grasp on the meanings of words, but struggle with understanding the circle of 5ths.
Yeah, maybe I haven't listened to enough Rolling Stones, but Creedence is better IMHO.Ok here’s one. I was listening to Exile on Main St today (as prescribed by the 1001 albums generator) and while I don’t think The Rolling Stones are bad, it feels utterly random that they’re the band people have chosen to coronate as the kings of rock n roll. Like there’s a parallel universe where culturally we feel as strongly about Creedence or Mott the Hoople as we do about the Stones. It’s like the “Beatles vs Stones” debate (which, to me, revolves more around genre preference and one’s definition of “rock” than actual quality) generated the myth of parity when it comes to musical quality/influence.
Ok here’s one. I was listening to Exile on Main St today (as prescribed by the 1001 albums generator) and while I don’t think The Rolling Stones are bad, it feels utterly random that they’re the band people have chosen to coronate as the kings of rock n roll. Like there’s a parallel universe where culturally we feel as strongly about Creedence or Mott the Hoople as we do about the Stones. It’s like the “Beatles vs Stones” debate (which, to me, revolves more around genre preference and one’s definition of “rock” than actual quality) generated the myth of parity when it comes to musical quality/influence.
Your Louisiana bias could perhaps be showing?Yeah, maybe I haven't listened to enough Rolling Stones, but Creedence is better IMHO.
I love The Rolling Stones and listen to them way more than Creedence or Mott The Hoople. I think they’ve made some incredible albums and songs over their 50+ years together. I also think there longevity has something to do with that. Mott & Creedence, for example only created music for approximately a half decade each. The Stones wouldn’t have even gotten to Exile if they called it quits after 5 years.Ok here’s one. I was listening to Exile on Main St today (as prescribed by the 1001 albums generator) and while I don’t think The Rolling Stones are bad, it feels utterly random that they’re the band people have chosen to coronate as the kings of rock n roll. Like there’s a parallel universe where culturally we feel as strongly about Creedence or Mott the Hoople as we do about the Stones. It’s like the “Beatles vs Stones” debate (which, to me, revolves more around genre preference and one’s definition of “rock” than actual quality) generated the myth of parity when it comes to musical quality/influence.
One man’s bloated mess is another’s Rock perfected.Exile is a bloated mess though.
Ok here’s one. I was listening to Exile on Main St today (as prescribed by the 1001 albums generator) and while I don’t think The Rolling Stones are bad, it feels utterly random that they’re the band people have chosen to coronate as the kings of rock n roll. Like there’s a parallel universe where culturally we feel as strongly about Creedence or Mott the Hoople as we do about the Stones. It’s like the “Beatles vs Stones” debate (which, to me, revolves more around genre preference and one’s definition of “rock” than actual quality) generated the myth of parity when it comes to musical quality/influence.
One man’s bloated mess is another’s Rock perfected.
Nothing against Sticky Fingers or Let It Bleed but Exile is a certain brand of disheveled, dirty blues rock that has rarely been replicated especially by a bunch of wealthy English Rock Stars. The decadence to depravity ratio for this album is off the charts.
LOL and Wow! You can have your Beatles records. Leave me The Beach Boys and The Rolling Stones.The "dirty blues rock" on Let It Be is better than anything the Stones can offer.
LOL and Wow! You can have your Beatles records. Leave me The Beach Boys and The Rolling Stones.
Also as to the other super elitist take that’s going around here the last few days, to use a metaphor, I don’t need to understand how to build and maintain an internal combustion engine to know what I like in car and describ
The Beatles couldn’t party with with The Stones.
Super elitist? I’m just saying I would like more criticism to explain music. Not having really only touches the tip of the iceberg when it come a to music.
Oh I am sure the Beatles were excellent partiers but the Stones for better or worse took it to another level.I think The Beatles were clever enough to keep their partying off the front pages of the tabloids.
What does it achieve? Does it help me decide whether or not I’m going to like something? How does it help get someone new and uninitiated into a price of music? How does it make discovering new music accessible to all?
I can perhaps understand it as a niche area, perhaps on the net in blog or in long form, for those who seek it but as a part of the mainstream? It will serve to alienate the uninitiated rather than open music to new ears.
There are many ways to appreciate music. This is one way that is often not explained. Why shouldn’t it be explored? Understanding this aspect of music could lead people to appreciate more types of music. Questions like, “these songs have the same chords but why do they sound wildly different.” Get people to think more deeply about music. Without discussing this we don’t even give people the chance to be interested in music at different levels.