duke86fan
Well-Known Member
i guessed sunshipColtrane's Live in Seattle was recorded in '65 and released in '71. And the man played sax.
i guessed sunshipColtrane's Live in Seattle was recorded in '65 and released in '71. And the man played sax.
i dont think its sarah vaughan because it was RECORDED in 55.. that was a compilation albumColtrane - Sun Ship (or live in Seattle)
Sarah Vaughan in Hi-Fi
Dizzy Gillespie - Afro
i dont think its sarah vaughan because it was RECORDED in 55.. that was a compilation album
Coltrane - Sun Ship (or live in Seattle)
I’d be surprised if VMP gets a Coltrane exclusive outside of the impulse box (which I expect to have an easy-ish to get Coltrane release).Sun Ship is pretty awesome. It's not much different than his Live at VV set in terms of the music. Pretty standard for post-ALS Coltrane sound. t's not "ascension' level out there. I would call it avante-garde jazz but not free jazz like some very very acquired taste stuff that is all over the place
I’d be surprised if VMP gets a Coltrane exclusive outside of the impulse box (which I expect to have an easy-ish to get Coltrane release).
And I wonder if it was something that the powers that be in charge of the AS series passed on, so that's why they're letting VMP do it.Haven't found anyone else who fits the clues so far, and he has two albums that fit the clues. I don't see why Universal wouldn't give them a Coltrane breakout release, Blue Note gave VMP an Anthology plus Blakey's Freedom Rider, and this was after Blue Note started reissuing all their back catalog with BN80 and the Tone Poet Series. Since they've been working with Impulse to put together an anthology, IMO it makes sense that they would curate a breakout release too in addition while they were picking titles for their box.
Fair enough. But as @wmeugene said there’s also the AS series going on and I’d guess they have first dibs on titles since they are likely to make way more money that way vs VMP licensing.Haven't found anyone else who fits the clues so far, and he has two albums that fit the clues. I don't see why Universal wouldn't give them a Coltrane breakout release, Blue Note gave VMP an Anthology plus Blakey's Freedom Rider, and this was after Blue Note started reissuing all their back catalog with BN80 and the Tone Poet Series. Since they've been working with Impulse to put together an anthology, IMO it makes sense that they would curate a breakout release too in addition while they were picking titles for their box.
Depending on what tapes are still available…also does it matter that Coltrane was already featured in classics? I know it was Coltrane and Miles but…I have a feeling AS series is doing the bigger name titles while VMP is free to grab some more obscure ones like Sun Ship or Live in Seattle, maybe one more. There are a good 17 or so to choose from give or take
The "no multiple releases from the same artist on the same track" rule is long dead thanks to OutKast and now it only applies to Essentials.Depending on what tapes are still available…also does it matter that Coltrane was already featured in classics? I know it was Coltrane and Miles but…
Do they have any "rules" still alive? They are re-pressing exclusives and not changing anything. I think their rules have long left the building.The "no multiple releases from the same artist on the same track" rule is long dead thanks to OutKast and now it only applies to Essentials.
Classics can see more releases from both Coltrane and Miles.
Do they have any "rules" still alive? They are re-pressing exclusives and not changing anything. I think their rules have long left the building.