@wokeupnew yeah honestly I know my stylus can be unforgiving but it's really the crackle and pop I can't deal with, the warp is unplayable on both copies but I can deal with that, but when I'm getting 8/10 pops in a row in certain places with no visible scratches that's a problem. Do you have the loser Edition or the black?
@wokeupnew yeah it's actually not distortion, it's just pops, lots of them. Just sounds like dust but the records been vacuumed. Lots of people on Cogs saying the same thing. I can deal with the lifeless mastering but the pops are brutal, not to mention the fact that the warps on both are so big I can't even play the first track on either...
@High Rant District I agree! But here we are... I see no indication on the deadwax that it was pressed there. I don't think I believe that claim on cogs.
@Mather After doing a bit of searching on the SH forums, Sub Pop do have at least some records pressed at RTI and folks have had complaints about the pressing quality. I had no idea. Oddly enough, I always equated RTI with quality pressings and Sub Pop as crapshoot pressings.
Yeah, Sub Pop has always felt like a DIY label to me, and never equated as an audiophile one by any means. Really any indie-esque label has a certain level of DIY aesthetic.
Yeah I mean I by no means expected audiophile. But I DO expect to not have like 8 to 10 pops in a row here and there. Some pops are fine obviously, but I have other Sub Pop records and both of these copies have been light years worse not to mention literally unplayable warps on both. Even with my clamp I can't touch the first track...
I'm by no means an audiophile either. The reality for me is simply that if there are pops and clicks I'm probably not going to listen to the record much or at all, and it needs to go.