As I have commented before, and which I believe was the point of the earlier “groupthink” comments, it mostly comes down to context.
I started listening to music around Costellos debut, Devoed and Policed my way through the 80s. By High School, I was all over the spectrum from REM, to Tribe to Metallica to Uncle Tupelo (I went to High School 45 min from Belleville, IL). I was a 1st semester college Freshman when Nevermind was released and I discovered NIN. After the early 90s onslaught of great music (deridingly referred to as the Grunge era) I got into the the Blues through Hendrix and Aretha. By 1998 I was living in London when OK Computer and Mezzanine were blowing minds and I even got into a little Pete Tong and Paul Okkenfold in the London club scene. By 2000, I had moved to Boston and Yankee Hotel Foxtrot, Kid A and Relationship of Command were redefining what it meant to have your mind blown.
Around that time, Spin and the music rags were telling us how great the Strokes were and they were the next great thing. But Spin lost all their cred when they picked Bandwagonesque over Nevermind and When I Was Born For The 7th Time over OK Computer & you could tell the rest of the rags were just trying to make Nirvana happen again.
So when I say “The Strokes, most decidedly do not “rock” at all”, it’s because of context. Their first album, in the context of my experience, was a tepid “meh” and they fall closer to a 1 hit wonder than anything “essential”....in my book.
I can appreciate that how someone else came to them may create a different context & get them excited for the release. But I agree, VMPs target market on this one is likely small because, as was pointed out before, that context speaks to an audience in a very narrow window of time.