I took so long to respond that now you guys have moved on to another Albarn project! And, to me, one of his masterpieces (not to diminish the contributions of the other members of Blur here, but just feels natural to continue the Albarn discussion). I think Damon has said as much himself that "On Your Own" is pretty much the unofficial first Gorillaz song, but there's a pretty strong argument to be made that this is the album where the seeds of Gorillaz were born.
I flip-flop a lot on what I'd actually consider to be my favorite Blur album, and because they have such a varied discography, I think it's one of those things where it really depends on the mood I'm in. This being such a transitional album for the band, and essentially the moment where one of the posterboys of the 90s Britpop hype announced their intent to kill the genre and never look back (the same year the other posterboys blew themselves up in a tornado of cocaine and ego), I think makes this a particularly interesting album. It's not as alienating as 13, but in a way, I feel like they intended it to be. 13 strikes me as a very genuine expression of where they were emotionally and artistically as a band at the time; they didn't really care if it appealed to a mainstream audience or not. With this one, they knew full and well what they were doing and just committed to the bit 100%, right down to having it be a self-titled album, as if to announce to the world that, yes, this is the new us, and if you don't like it, there's the door. That the record everyone around them thought would be career suicide ended up being the one that finally broke them through in America (albeit mostly only for one song) is of course a nice little bit of irony.
I also think Graeme Coxon deserves a lot more credit for the sonic directiom of this album than he gets. The Great Escape was a bit of a mess that really imploded Britpop blur in much the same way as This Is Hardcore, Be Here Now and the genius of OK Computer moving past it did for the genre as a whole two years later. Graeme in particular hated the previous album and had been fascinated with US lofi for years. His pushing of this direction combined with Damon’s inability to write something without a hook kinda makes this what it is. You‘re So Great is also a song I just love. This is probably my second favorite blur album after Modern Life Is Rubbish.